This seminar looks at the textual and institutional features of Chinese cinemas, including those from Hong Kong, Taiwan and mainland China. Close studies of their conventions and innovative developments will be emphasised. With regard to some trend-setting movements and films, students will be prompted to investigate, discuss and analyse a wide range of issues. Class discussion will revolve around the differences and similarities of the industries, audiences, auteurist styles and cultural politics. Some essential topics on the new wave movements of Hong Kong, Taiwan and mainland China will be given special attention.